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I've enjoyed making live audio
recordings for many years now. My aim is to record the sound as honestly
as possible, to retain the original "feel" of the acoustic
environment.
I've experimented with many
microphone types & techniques, but I've found that the simpler the
set-up, the more consistent and believable the results are. I started to
use binaural recording - placing microphones where the ears would be on a
dummy head - some 15 years ago. The results are very impressive,
particularly when replayed through headphones.
How much better?
We are used to hearing sound from
all directions, but nearly all recordings only offer us a fairly narrow
horizontal sound source in front of us. Listen on speakers, and the
balance setting is critical to give any width of image. Listen on
headphones, and often the sound appears to be coming from inside your
head. However good the equipment, the results are often not
"believable"
Binaural recordings help preserve
more of the directional information of the original sound. Replayed on
speakers, there is often more sense of depth. Using headphones can create
the illusion of really being there.
How can you know?
If you can, try it for
yourself. Art Simon has an excellent web page describing how to make an
inexpensive binaural microphone rig at http://art.simon.tripod.com/stealth.html
Or you can download bell.mp3
which is a few seconds recorded as a test recently. This was made using
the JVC HM200E binaural headphones and a Sony WMD6C Pro Walkman. I was
standing by a stream as the church clock struck the half-hour. I hope to
post more interesting examples in the near future here!

JVC HM200E
Headphones.
These include microphones
built into dummy ears on the earcasings. They rekindled my interest in why
the recordings made this way sound so much better. I have planned to do
more research as time and suitable audio sources permit. See Sound
Recording.

My Binaural Dummy
Head
Many of my binaural recordings have
been made using a polystyrene wig stand, begged from a local hairdresser,
in conjunction with two tie-clip omni-directional microphones from RS
components. The microphones are the same type as used by George Hooley of
Quad - see Hi-Fi - An
Original Approach

Mike Skeet with
one of his Binaural Dummy Heads
I recently met a fellow binaural
enthusiast, Mike Skeet, who has developed a series of binaural dummy heads,
some with an integral mini-disc recorder. This makes a superbly effective and simple to
use binaural rig. My only reservation on seeing the design was the
proximity of the mechanical transport of the mini-disc recorder to the
microphone elements. However, on the recording I heard, my reservations
were totally unfounded.
Mike uses binaural and other
specialised microphone techniques for commercial recordings. He
has a web site at www.skeetmusic.com
,which has further details of binaural recording, sound samples, and the
opportunity to purchase his recordings, or arrange for him to make
recordings for you.
Anyone with an interest in
microphone recording methods will also find the section on Mike's website
about Mid & Side microphone placement particularly interesting.
I find it encouraging that
Mike, with an enormous breadth of experience in audio recording, has come
to similar conclusions to me that simple (i.e. few) microphone methods
give much truer results than multiple microphones/complex editing.
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